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When life’s hard, time’s a motherfucker.

Blasted: On Reza Abdoh’s Tight Right White

He ate camp and shat punk, his style a fizzing intestine stuffed with culture’s slime and scraps.

Bidoun Mix 5: Meriem Bennani

Low-key evil

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Like a kite catching thermal winds

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As a child in Tehran, the artist Shirin Sabahi took weekly painting classes not far from Park-e Laleh, or tulip park, in the city center.

Bidoun Mix 4: Ma’an Abu Taleb

Ma3azefizm

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I feel like there’s a forest inside me, full of vegetation. Like a bowl of tabbouleh.

Louvre Me Tender

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Bidoun Mix 3: Ghazal

Mix Suedi

The Video People

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Bidoun Mix 2: Deena Abdelwahed

FutureArab/ClubSounds

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Precluding the indifferent, eradicating void and uninspiring vastness of, for instance, sunsets.

Soft Dramaturgy: A Conversation with Lukas Duwenhögger, Part I

I hope these words make you cry.

Mary Boone is Egyptian

“I find the whole notion of celebrity embarrassing.”

Ghariba

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Bidoun Mix 1

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News

Reza Abdoh: The Blind Owl & Short Films at ICA London

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ICA London
Tuesday, July 2 at 6:30 pm
Wednesday, July 3 at 6:30 pm

As part of the exhibition I, I, I, I, I, I, I, Kathy Acker at the ICA London, Bidoun and the ICA present a two-part program of screenings and discussions centered on the moving-image works of theatre director and filmmaker Reza Abdoh (1963–1995).

Working between Los Angeles and New York in the 1980s and early 90s, Abdoh was a contemporary of Kathy Acker at a time of metastasizing moral panic in the US. Both artists’ work share a particular fascination with taboo (sexual, psychological and societal) and abjection.

On July 2nd, a screening of Abdoh’s only completed feature film The Blind Owl is followed by a discussion between scholar Dominic Johnson and artist Ron Athey, moderated by Bidoun Senior Editor Michael C. Vazquez.

On July 3rd, a screening of short film and video works by Abdoh is followed by a discussion between scholars Elizabeth Wiet and Daniel Mufson, moderated by Bidoun Senior Editor Negar Azimi.

Read more about the program on the ICA website.

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Art, defiance, and the price to be paid: cut phone lines, cancelled exhibitions, and stabbings by unknown assailants. “To be a taxpayer and therefore an accomplice to the most brutal nation on earth does require a lot of redemption!”