For the latest installment of A Protest Against Spaghetti, we asked Senior Editor Anna Della Subin to revisit “A Very Still Life,” her classic Bidoun essay on the unlikeliest of subjects — the paintings of Jack Kevorkian, the patron saint of assisted suicide, aka Dr. Death. Inspired by the chance discovery of Kevorkian’s lost archives in Chile, “How Excruciating Can Nothingness Be?” considers the life and art of the controversial Armenian-American physician and the afterlives of genocides, past and present.